Mark Devereux Projects is an artist production-development organisation established to help increase the national and international profile of early-career visual artists.
-
Nicola Dale, 8866 Full Stops for Spinoza (2012)
Nicola Dale’s practice is concerned with what knowledge looks like. She visualises the acquisition of knowledge – how she captures, processes and understands what she reads. She imagines what a particular piece of knowledge might look like and creates a physical form from this abstract idea.
-
David Ogle, Pink, Orange, Yellow, Green, 4 (2013)
Much of David Ogle's work to date has dealt with exploring notions of materiality, of permanence and of the perception of objects in space. Using light as a sculptural medium, his work is innately ephemeral. It begins as a set of strict mathematical procedures that are played out within an environment. The space simultaneously shapes the work and becomes manipulated by it.
-
Nicola Ellis, Osseous (2013)
Nicola Ellis' practice is underpinned by an interest in the synchronisation of the natural with the unnatural. Drawing and printing are used to generate ideas for play, which explores aspects of materiality inherent in materials. Sculptural objects are then produced which combine these material experiences with processes that play with levels of physical control.
-
Nicola Dale, Sequel (2012)
Nicola Dale’s practice is concerned with what knowledge looks like. She visualises the acquisition of knowledge – how she captures, processes and understands what she reads. She imagines what a particular piece of knowledge might look like and creates a physical form from this abstract idea.
-
David Ogle, 08019 (2013)
Much of David Ogle's work to date has dealt with exploring notions of materiality, of permanence and of the perception of objects in space. Using light as a sculptural medium, his work is innately ephemeral. It begins as a set of strict mathematical procedures that are played out within an environment. The space simultaneously shapes the work and becomes manipulated by it.
-
Nicola Ellis, Cauda (2013)
Nicola Ellis' practice is underpinned by an interest in the synchronisation of the natural with the unnatural. Drawing and printing are used to generate ideas for play, which explores aspects of materiality inherent in materials. Sculptural objects are then produced which combine these material experiences with processes that play with levels of physical control.
Latest News
-
Nicola Dale: Shanghai residency, November/December 2013
posted on 26 August 2013
Mark Devereux Projects is delighted to announce that Nicola Dale has recently been awarded a one-month residency in Shanghai as part of this year's Liverpool Art Prize, supported by Metal (Liverpool) and Shanghai Art School.
During her stay, Nicola will be undertaking research at Shanghai library – one of the ten largest libraries in the world, which houses ancient and rare texts alongside networked areas. As a repository of both old and new forms of knowledge, the library will provide Nicola with a unique place to research human interaction with knowledge, as she extends her inquiry into the visualisation of knowledge.
-
Nicola Dale: The First Cut, SeaCity Museum, Southampton, 11 October 2013 - 12 January 2014
posted on 2 September 2013
Nicola Dale's new work, Sequel will be part of the final stage of the touring exhibition, The First Cut opening at SeaCity Museum, Southampton in October.
The First Cut is a major exhibition featuring new and recent works by over 30 international contemporary artists who work with paper in revolutionary ways. It explores how established and emerging artists are transforming the humble scrap of paper - through cutting, folding and sculpting - into amazingly powerful creations that could be destroyed with a single tear.
Mailing List
Join our mailing list and keep up to date with the latest MDP news.
Social Media
Twitter
Facebook
Vimeo
artplayer.tv
Flickr